Russell House Near Hollywood & Griffith Park
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LACMA's new building for the permanent collection — a single-story, 900-foot-long Peter Zumthor design that bridges Wilshire Boulevard, opened to members on April 19, 2026 and to the public on May 4. Inside, 2,000 works from across six millennia, hung non-chronologically around the world's bodies of water rather than by date or country.
Peter Zumthor's design opened to LACMA members on April 19, 2026, and to the public on May 4 — the culmination of a twenty-year project led by director Michael Govan and funded by a $150 million gift from David Geffen alongside more than $700 million in additional support. The building replaces LACMA's three original 1965 William Pereira pavilions and the 1986 Hardy Holzman Pfeiffer addition, consolidating the entire permanent collection onto a single elevated floor.
The structure is one organic curve rather than straight lines — 110,000 square feet of gallery space raised thirty feet above ground and bridging Wilshire Boulevard, with floor-to-ceiling glass on the perimeter and concrete inner galleries for light-sensitive works. The unorthodox curatorial approach — works arranged not by date or country but around the world's major bodies of water (Atlantic, Pacific, Indian, Mediterranean) — was developed by 45 curators over several years and presents Indonesian batiks alongside Spanish Baroque paintings alongside Peruvian ceramics.
Plan three to four hours for the inaugural installation — 2,000 works selected from LACMA's 150,000-piece collection — plus the West Campus exhibitions in the Resnick Pavilion and BCAM, the 3.5 acres of newly opened outdoor space below the elevated building, and Chris Burden's Urban Light at the corner of Wilshire and Ogden. Advance timed-entry tickets are strongly recommended through the opening weeks.
A short loop through the exhibits, encounters, and shows that make this stop worth a half-day on its own.
Zumthor's first major US commission — a single curving floor of 110,000 square feet, raised thirty feet above ground, spanning Wilshire Boulevard via a public air-rights vacation. Cast in architectural concrete with floor-to-ceiling glass on the perimeter, it took fourteen years from commission to opening.
The opening hang organizes 2,000 works around the world's seas and oceans rather than by date or geography — Indonesian batik textiles next to Spanish Baroque paintings next to figurative ceramics from coastal Peru. Forty-five LACMA curators collaborated on the layout over multiple years.
The collection's headline works are all on view: Francis Bacon's Three Studies of Lucian Freud (1969, gift of Elaine Wynn), Georges de La Tour's The Magdalen with the Smoking Flame (c. 1635), and Henri Matisse's monumental ceramic wall tile La Gerbe (1953).
The building's most radical move — gallery space directly above an active eight-lane boulevard, accessed via paired staircases and elevators on either side of Wilshire. Required a unanimous LA City Council air-rights approval and is the first museum building in the US to bridge a public street.
The Hope Athena, a 2nd-century AD Roman copy of a 5th-century BC Greek original, anchors the antiquities cluster — alongside Egyptian funerary art, Assyrian reliefs, and Greek vase painting from the William Randolph Hearst Collection.
Two hundred and two restored 1920s-30s LA street lamps assembled into a grid at the corner of Wilshire and Ogden — solar-powered, timer-lit dusk to dawn since 2008, and the most photographed public artwork in Southern California. Free, 24/7, no ticket required.
The elevated design freed 3.5 acres at street level for public art and programming — Jeff Koons' Split-Rocker (a thirty-foot topiary sculpture made of flowering plants), works by Mariana Castillo Deball and Diana Thater, and a 300-seat outdoor theater for concerts.
Two additional Renzo Piano-designed galleries on the west campus (BCAM 2008, Resnick 2010) hold contemporary and special exhibitions through the opening period. The La Brea Tar Pits sit immediately east of the Geffen Galleries — Hancock Park is one continuous cultural campus.
Closed Wednesdays. Members-only previews run April 19–May 3, 2026; public access begins May 4. Advance timed-entry tickets strongly recommended — walk-up timeslots sell out, especially in the opening weeks.
Note · Last entry one hour before close. Friday's 8 PM close is the longest evening — the elevated terrace at sunset is the building's signature view.
Per-person admission. Buy in advance to skip the gate line.
All visitors free on the second Tuesday of every month and the first weekend with a Bank of America card. LA County residents free weekdays after 3 PM with valid ID. Members are always free. Parking $20 ($10 after 7 PM) in the on-site garage.
Reserve tickets